Nie-do-skonała poezja Tadeusza Różewicza

Patryk Szaj


The article deals with the “death of poetry” which was announced in Różewicz’s writing. It does not inscribe this problem into a binary scheme but tries to re- contextualize the issue considering it under Derrida’s hauntology horizon. Such type of thinking reveals why the poetry still “happens,” despite its “death,” and why it turns out to be “anachronistic.” The weakness has here (at least) two meanings: Różewicz’s poetry is imperfect, defective, invalid, dying, but still animate, not-fully-dead.

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